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Antonio Nelson’s 9 Steps for Story Writing

ONE-SENTENCE TAKEAWAY

Aspiring short story writers can use Antonio Nelson’s 9-step method to craft compelling stories by experimenting with different techniques.

IDEAS

Nelson’s 9 Steps for Story Writing are a good framework for writing short stories.

  • The first step is to write about something that has happened to you.
    • Real life experiences can be a good starting point for stories.
    • You can change the details of your experiences to make them more interesting.
    • Many famous short stories are based on the author’s own experiences.
  • The second step is to write the same story from a different point of view.
    • It is important to try different points of view to find the best way to tell the story.
    • You can write a story from the point of view of an inanimate object.
  • The third step is to create a ticking clock.
    • A ticking clock is a countdown to a particular event.
    • It creates tension and suspense in the story.
  • The fourth step is to create props or objects.
    • Objects can have symbolic meaning in stories.
    • It is important to choose objects that are necessary for the story.
  • The fifth step is to create a transitional situation.
    • A transitional moment is a point in a character’s life when they are moving from one mode of existence to another.
  • The sixth step is to add a world event.
    • This helps the reader connect to the story.
    • It can also be a good marketing tool.
  • The seventh step is to add binary forces.
    • This creates tension and conflict in the story.
  • The eighth step is Frytag’s Pyramid.
    • This is a way to structure a story’s plot.
  • The ninth step is to experiment.
    • This means trying something crazy or different.

INSIGHTS

  • Nelson’s 9 Steps provide a solid framework for crafting short stories, but flexibility and experimentation are key to making them truly unique and engaging.
  • By drawing on personal experiences, exploring diverse perspectives, and incorporating elements like ticking clocks and symbolic objects, writers can add depth and intrigue to their narratives.
  • Transitional moments and world events can ground the story in a relatable context, while binary forces create compelling conflict and tension.
  • While traditional plot structures like Frytag’s Pyramid can be helpful, writers should not be afraid to deviate from them and experiment with different narrative approaches.
  • Ultimately, the most memorable short stories are those that surprise and resonate with readers through their originality and emotional impact.

QUOTES

  • “So recently I stumbled upon this wonderful article in Tin House’s Writer’s Notebook 2.”
  • “It was basically a schematic or a blueprint for how to put a short story together, even if you’ve never written one before, and it was kind of genius.”
  • “The author was Antonio Nelson, who has published seven short story collections and also published in this very tiny little magazine you’ve probably never heard of, The New Yorker.”
  • “So I figured, hey, this is somebody who I should really listen to about how to construct a short story.”
  • “I started my career writing short stories, I published a collection of short stories with Press 53, and I’ve won some big short story contests too, like Shenandoah and Third Coast, and I got one published in the Chicago Tribune as well.”

HABITS

  • John Fox reads literary magazines like Tin House to discover new writing techniques and inspiration.
  • He analyzes the work of successful authors like Antonio Nelson to understand their methods.
  • He tests out new writing techniques by applying them to his own work.
  • He revisits his writing with a critical eye, editing and refining it over time.
  • He seeks feedback on his work and uses it to improve.

FACTS

  • Antonio Nelson has published seven short story collections.
  • Alice Munro recently passed away.
  • The TV show “Queen’s Gambit” was very popular.
  • The TV show “The Bear” is about cooking.
  • Hilary Mantel wrote a short story collection called “The Assassination of Margaret Thatcher.”
  • There have been many stories about chess cheaters in recent years.
  • Flannery O’Connor wrote a short story called “A Good Man is Hard to Find.”
  • Joyce Carol Oates wrote a short story called “Where Are You Going, Where Have You Been?”
  • Raymond Carver wrote a short story called “Cathedral.”
  • John Updike wrote a short story called “A&P.”
  • Jennifer Egan wrote a novel called “A Visit from the Goon Squad.”
  • Jamaica Kincaid wrote a short story called “Girl.”

REFERENCES

  • Tin House Writer’s Notebook 2
  • Antonio Nelson
  • The New Yorker
  • Press 53
  • Shenandoah
  • Third Coast
  • Chicago Tribune
  • James Baldwin’s “Sonny’s Blues”
  • Philip Roth’s “Goodbye, Columbus”
  • Tim O’Brien’s “The Things They Carried”
  • Alice Munro’s “Boys and Girls”
  • Queen’s Gambit
  • Jorge Luis Borges’s “The House of Asterion”
  • Cinderella
  • Run Lola Run
  • The Bear
  • Brokeback Mountain
  • A Good Man is Hard to Find by Flannery O’Connor
  • The Secret Life of Walter Mitty
  • Minority Report
  • Hilary Mantel’s The Assassination of Margaret Thatcher
  • In Good Country People by Flannery O’Connor
  • Where Are You Going, Where Have You Been? by Joyce Carol Oates
  • Cathedral by Raymond Carver
  • The Most Dangerous Game by Richard Connell
  • Frytag’s Pyramid
  • John Updike’s A&P
  • A Visit from the Goon Squad by Jennifer Egan
  • Girl by Jamaica Kincaid

RECOMMENDATIONS

  • Read Antonio Nelson’s work to study her approach to short story writing.
  • Write a story about something that has happened to you, no matter how small or insignificant it may seem.
  • Experiment with different points of view to find the one that best suits your story.
  • Create a ticking clock to add tension and suspense to your story.
  • Choose objects that are meaningful to your characters and that play a significant role in the plot.
  • Identify a transitional moment in your character’s life and use it as a turning point in your story.
  • Incorporate a world event to ground your story in a specific time and place.
  • Create binary forces to generate conflict and tension between your characters.
  • Consider using Frytag’s Pyramid or the seven-point plot structure to shape your story’s plot.
  • Don’t be afraid to experiment with different writing techniques and styles.
  • Read widely in the short story genre to learn from other writers.
  • Share your work with others and get feedback.
  • Keep writing and don’t give up!

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